Description
Payne’s Gray #1240
Innovative For Artists!
Paynes Gray named after British painter William Payne (1760-1830), early formulas contained indigo, alizarin lake, and ivory black. Today more commonly a mixture of ultramarine blue and black, it is considered easier to control and less intense than black as a mixing color. (Series2)
About Golden Heavy Body Acrylics
The first acrylic colors offered by GOLDEN Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.
Each Heavy Body color formula reflects the qualities of its pigment. Colors that tolerate a higher pigment load dry to a more opaque, matte finish. Colors that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colors contain no matting agents, the gloss of each color will be different.
About the Color Swatch
The color swatch shows you how transparent each color is. The more visible the three black bars are, the more transparent the paint.
About This Color
Pigment Classification: Mixture
Color Index Name: PB29 / PBk7
Color Index Number: 77007 / 77266
Chemical : Polysulfide of Sodium-Alumino-Silicate / Nearly Pure Amorphous Carbon
Opacity/Transparency: Semi-Opaque
Lightfastness Rating: 1
Permanency: Excellent
Munsell Notation Listing: Hue 4.0 P Value 1.7 Chroma 0.6
Gloss Average: 29.3
Viscosity Range: 23000- 27000 CPS
CIE L*a*b* Values: L*24.12 a*0.05 b*-2.24
Tint Strength: 74.88
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